![]() ![]() Compare (And contrast) AKOM, their partner on The Simpsons, DR Movie & MOI Animation, subsidiaries of Madhouse, Hanho Heung-Up, Saerom, Sunwoo Entertainment and JM Animation. ![]() ![]() You can find the credits lists here (for the Japanese unit) and here (for the Korean unit).Ĭompare Production I.G, Toon City, GONZO and Digital eMation, four companies that also use CGI in their animation, and on the Korean side of things. But while working on The Ren & Stimpy Show, Gregg Vanzo and his wife Nikki suggested to show creator John Kricfalusi about outsourcing to South Korea-which was how the company's South Korean division was formed.īesides doing Western Animation, they also do Anime under the name Orange due to issues with stockholders in South Korea, and they also have a unit in Japan under that name as well (established in 2004 with CGI animator Eiji Inomoto and some former Satelight staff), although the Japanese unit only does CG work. Originally the company started out in a garage. Rough Draft Studios is a California/ Seoul based studio founded in 1991 by animator Gregg Vanzo and Nikki Vanzo. Learn more about Lauren Brown and her art by visiting her website.Bite my shiny CGI-and-traditional animation ass. I have a lot of plans for the future and I want to start to explore those ideas.”īrown co-hosts Painted In Color, a podcast dedicated to amplifying underrepresented voices in the arts. ![]() I eventually want to make some art books, coloring books, a novel maybe. “I am starting to gear myself towards establishing my art as its own business and really exploring the worlds that I have been thinking about for 10, 15, 20 years and actually making those worlds a reality. “Shuri” by Lauren Brown.Ĭover design for Marvel Comics’ ‘Women of Marvel’ “Familiar” by Lauren Brown. We are not so far separated from it as people think we are.” Brown hopes to transform these ideas into a videogame that will teach life lessons in a world where emotions become manifest and gain sentience. “We have separated ourselves from nature, but I want to use my art to tie back to nature. Her ‘Avant Garden’ collection features queens that represent different gardens, each with a corresponding life philosophy. In addition to a role as Art Director for Amazon Glow, she is seeking opportunities to lead, direct, and develop her personal work. She play with the intersection of nature and philosophy. Recently Brown returned to Atlanta in search of community and opportunities within the local fantasy and animation industry. “It would establish that we belong here, and make sure that games have characters represented appropriately in everything from hair texture to skin tone.” Dustjacket for This Poison Heart by Lauren Brown. In reaction, she formed an advocacy group that toured high schools and colleges to talk about BIPOC in animation and gaming. “Some of these studios have upwards of 600 people and I wouldn’t see any black female game devs,” Brown recalled. It was during her time in Austin that she became more interested in advocacy work. “I just wanted to be an artist, but I was asked to direct for my department with background art.” Despite initial hesitations, she became background director of a short for The League and experienced the thrill of seeing her vision come to life.īrown eventually moved to Austin, Texas where she worked as a Senior Environmental Artist at EA Mobile and later Associate Art Director at Zynga where she worked on games like Words With Friends 2. She had an opportunity to learn about the animation pipeline and increasingly found herself pulled toward leadership roles. She was hired at Floyd County Productions and worked on shows like Archer, Always Sunny in Philadelphia, The League, and Unsupervised, among others. Beyond animation, she discovered a love for character design and layout art. Following high school, Brown attended Savannah College of Art and Design (SCAD) in Savannah where she began working on student films and learned more about the animation industry. ![]()
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